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The First Five Episodes Were Make-Or-Break For The Sopranos Writers

 With credits like  Kolchak The Night Stalker    The Rockford Files  and  Northern Exposure decades of television work gave  The Sopranos creator and showrunner David Chase a strong sense of what would and would not work for network TV. Tag teaming with a strong stable of writers the HBO drama surrounding a New Jersey based Italian American mob family took on the shape of an epic text that would appeal to the masses while also commanding critical respect.






In the writers room the nuances of New Jersey mob life were meticulously explored in ways that both nodded to and departed from their gangster movie forebears  the show shares over two dozen actors with Martin Scorsese 1990 crime classic  Goodfellas for starters. Writers for the show would include Terrence Winter  who would go on to helm  Boardwalk Empire cast members like Michael Imperioli and  Northern Exposure  writers Robin Green and Mitch Burgess the latter of whom understood what Chase was going for  a crucial part of staying in the writers room after its fifth episode. 




Similar to fellow HBO darling  The Wire the first season of  The Sopranos acts as an enclosed arc but would leave its season finale as open ended as its infamous series finale. Primary baddies Livia Soprano  Nancy Marchand and Uncle Junior  Dominic Chianese are both put out of commission but new seasons would bring new antagonists a staple of the show where death always hovers and its players are forever doomed to look over their shoulder.





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